Rabu, 18 Desember 2013

[T231.Ebook] Ebook Download The End of Alchemy: Money, Banking, and the Future of the Global Economy, by Mervyn King

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The End of Alchemy: Money, Banking, and the Future of the Global Economy, by Mervyn King

The End of Alchemy: Money, Banking, and the Future of the Global Economy, by Mervyn King



The End of Alchemy: Money, Banking, and the Future of the Global Economy, by Mervyn King

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The End of Alchemy: Money, Banking, and the Future of the Global Economy, by Mervyn King

“Mervyn King may well have written the most important book to come out of the financial crisis. Agree or disagree, King’s visionary ideas deserve the attention of everyone from economics students to heads of state.” ―Lawrence H. Summers

Something is wrong with our banking system. We all sense that, but Mervyn King knows it firsthand; his ten years at the helm of the Bank of England, including at the height of the financial crisis, revealed profound truths about the mechanisms of our capitalist society. In The End of Alchemy he offers us an essential work about the history and future of money and banking, the keys to modern finance.

The Industrial Revolution built the foundation of our modern capitalist age. Yet the flowering of technological innovations during that dynamic period relied on the widespread adoption of two much older ideas: the creation of paper money and the invention of banks that issued credit. We take these systems for granted today, yet at their core both ideas were revolutionary and almost magical. Common paper became as precious as gold, and risky long-term loans were transformed into safe short-term bank deposits. As King argues, this is financial alchemy―the creation of extraordinary financial powers that defy reality and common sense. Faith in these powers has led to huge benefits; the liquidity they create has fueled economic growth for two centuries now. However, they have also produced an unending string of economic disasters, from hyperinflations to banking collapses to the recent global recession and current stagnation.

How do we reconcile the potent strengths of these ideas with their inherent weaknesses? King draws on his unique experience to present fresh interpretations of these economic forces and to point the way forward for the global economy. His bold solutions cut through current overstuffed and needlessly complex legislation to provide a clear path to durable prosperity and the end of overreliance on the alchemy of our financial ancestors.

  • Sales Rank: #7794 in Books
  • Published on: 2016-03-21
  • Released on: 2016-03-21
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.60" h x 1.50" w x 6.50" l, .0 pounds
  • Binding: Hardcover
  • 448 pages

Review
“If [The End of Alchemy] gets the attention it deserves, it might just save the world.” (Michael Lewis - Bloomberg View)

“An outstandingly lucid account of postwar economic policymaking and the dilemmas we now face. . . . It is rare to encounter a book on economics quite as intellectually exhilarating as The End of Alchemy―a dazzling performance indeed.” (John Plender - Financial Times)

“Offers both a deeply examined critique of economics as usual, and practical, controversial ideas on policy. It's a rare achievement.” (Clive Crook - Bloomberg View)

“I have read umpteen books about the financial crisis of 2007–2008 and its lessons. This is the cleverest one, brimming over with new ideas. While other ‘lords of finance’ publish memoirs, King has produced a brilliant analysis not only of what went wrong in the global financial system but also of what went wrong in economics itself.” (Niall Ferguson)

“A sophisticated and highly approachable study of how modern finance has lost its way. Few individuals are more qualified than Lord Mervyn King to imagine the banking of the future. His book should be required reading.” (Henry Kissinger)

“Mervyn King asks, ‘Why has almost every industrialized country found it difficult to overcome the stagnation that followed the financial crisis in 2007–2008, and why did money and banking, the alchemists of a market economy, turn into its Achilles heel?’ He addresses these questions, and much more. For those endeavoring to understand the greatest financial crisis of our time and the future of finance, this highly provocative book is a must-read.” (Alan Greenspan)

“Drawing on years of scholarly study of banking history and his real world experience in fighting financial panic, Mervyn King has set out a new framework for monetary and financial reform. Seemingly simple in concept, it challenges prevailing banking and market practice. The End of Alchemy demands debate and a well-reasoned response.” (Paul A. Volcker)

“Mervyn King may well have written the most important book to come out of the crisis. Agree or disagree, King's visionary ideas deserve the attention of everyone from economics students to heads of state.” (Lawrence H. Summers)

About the Author
Mervyn King served as the governor of the Bank of England from 2003 to 2013. He was appointed Baron King of Lothbury in 2013, a Knight of the Garter in 2014, and is currently a professor at both New York University and the London School of Economics.

Most helpful customer reviews

12 of 12 people found the following review helpful.
An insiders view of modern central banking and the challenges it faces along with some solutions
By A. Menon
The End of Alchemy gives an insider's view on the role and evolution of central banking in the last 20 years. The author outlines in plain language how central banks operate, the economic theories that frame those operations and how those theories and the practice of monetary policy have changed as the conditions have changed. The author outlines how the role of lender of last resort is of a totally different nature today compared to Bagehot's time and how often the nature of economic uncertainty is not appropriately considered when thinking about the calculation of risks. In this book one gets a clear description of todays economic challenges and some policy prescriptions that will are partial solutions to some of the moral hazard and prisoner dilemma challenges we face.

Much of the End of Alchemy gives the reader a background in some of the economic theory that goes into the central bank's role in the economy. The author discusses the money supply, fractional reserve banking and the only recent progression to independent central banking that has taken place. The author also discusses the nature of uncertainty that we actually face in our daily lives. This boils down to considering the concept of Knightian uncertainty where the distribution of outcomes is not known and so there is no objective way to optimize decisions. The author builds out this idea and discusses how modern market clearing mechanisms cant coordinate investment activity under this kind of uncertainty and uses long dated oil demand as an example. The author also spends time discussing the role of banks in maturity transformation of lending to long run risky projects by borrowing short term deposits. This process the author describes as the alchemy of finance. The author discusses how the risks in banking have grown as our risk weighting system has gone towards taking on increasing leverage. In addition the long term low rates has exacerbated the lending binge that seems to be occurring. The author discusses how modern banks and their immense size are subsidized by the lender of last resort policies by central banks that support them as the central banks are too worried about financial fallout to let the system face a systemic institutions default. The author also discusses how the haircutting mechanism that occurs can be counterproductive as pledged assets at the central bank leave less residual value for unsecured creditors.

After discussing where we are and the challenges the system faces the author gives some policy prescriptions. In particular the author discusses how the central bank should ex-ante prescribe haircuts for the range of collateral that would be pledged in extreme circumstances. So in effect the banks would need to pre-clear what risks they would need to pledge and in doing so would better be able to manage their capital structure and the proportion of equity held. The author also discusses how current weak investment and consumption are potentially the result of previous imbalances that cannot be cyclically charged by monetary or fiscal policy. The author discusses how the precautionary savings might be due to greater existential concerns as previous engines of wealth accumulation (housing appreciation) were fictitious. The author discusses how rates at 0 have a risk of not leading to investment as we face greater economic uncertainty that monetary policy is the wrong tool for.

The End of Alchemy achieves several things. It gives a background to the unfamiliar about central banking and monetary policy. It gives a history of some of the intellectual currents that drive policy actions and it describes the current economic environment and institutional arrangement in developed markets. The author also discusses what he believes is solvable in central banking, in particular, some aspects of moral hazard and implicit subsidy, and what is not- clearing up Knightian uncertainty. Definitely a good overview of a subject that is increasingly under scrutiny given the unprecedented low level of rates for all durations.

79 of 85 people found the following review helpful.
Move over, Bagehot
By Athan
Stop what you’re doing, drop everything, buy and read this book. Twice. I’ll start my second reading as soon as I’m done writing down my thoughts.

I’d gladly swap all ten books I’ve read about the crisis (“mine” at ten) for this modest and mischievous masterpiece.

Mervyn King does not go looking for villains or victims here. You will not find the words “greed” or “fear” in this text, nor do you get any history recounted, unless it is to illustrate a point. What you get is an informal, comprehensive, passionate and witty treatise on the origins, purpose and future of money, banking and monetary policy.

And yes, you do also find out what he thinks about the crisis. As a former central banker and protagonist in the crisis, he not only accepts blame for wrongheaded policy at the BOE, he also proposes changes to the banking system that address the problems he identifies with the status quo and will hopefully enhance the system’s stability in the future.

That is, indeed, the bit of the book that gives it its name: the “End of Alchemy” is a proposal to move from a “lender of last resort” model to a “pawnbroker” model of central banking; endorsements of the book by Summers, Volcker and Greenspan testify to its validity. The main idea is all bank assets at all times should be pre-assessed for central bank “haircut” while nerves are calm and heads are cool; second, banks should only ever have current liabilities equal to the “pawned,” post-haircut amounts that could be pre-positioned to raise cash in a crisis. Neat, if insufficient at current levels of liabilities.

Single events (dunno, the failure to bail out Lehman for example) do not merit mention in this narrative. This sets apart “The End of Alchemy” from pretty much every other account of the events. My favorite book about the crisis is Blinder’s, and by a mile. But throughout my reading of that account a question kept coming back to my head that Christopher Hitchens once put in the mouth of Montesquieu: “If a great city or a great state should fall as the result of an apparent accident, then there would be a general reason why it required only an accident to make it fall.” Mervyn King goes looking for that general reason. My view is he does not come back empty-handed.

If you’re looking for a villain, on the other hand, you’ve come to the wrong place. In Mervyn King’s tour de force, even the word “markets” does not get a look-in. Much as there are improvements that he thinks ought to be made to the banking system, much as he does not find it was a tremendous idea to respond to all economic problems by cutting rates (and decries that they remain at emergency levels seven years later), much as he was no big fan of allowing the banks to become “too big to fail, sail or jail,” much as he finds great fault with the sundry “FX” and “LIBOR” scandals, he argues very persuasively that the financial crisis was nothing but a symptom of political crisis. If we do not change our politics, he claims, if we do not address the microeconomics (as opposed to the macro), we will find ourselves in crisis very soon again in the future.

His “pawnbroker” model of central banking would by itself be a valuable contribution, but it would be inconsistent for him to say our problem is political and leave things there. The problem, he believes, lies in our societies’ and our governments' collective willingness to accept uneven growth if the alternative is no growth at all. China has been happy to allow consumption to languish at a minuscule level and has emphasized growth through investment and exports. It was about to countenance a rebalancing, but when that threatened growth itself, the engines were quickly reversed and stimulus was redoubled on the old investment and export axis. The US knows that interest rates at zero only allow those to benefit who are set up to borrow at that rate (he does not name the private equity owners and the CEOs of the S&P 500, but you know he means them) but if inequality is the price of growth, it’s happy to take it. And he puts up his hand and admits that under Eddie George the BOE where he was the Chief Economist was prepared to endorse a “two speed economy” over a “no speed economy.”

The result is the winners in this game of uneven growth end up saving their winnings. In doing so, they accumulate “assets” backed by the future sweat of those who fail to grow as fast, the losers. And if you don’t stop, the “assets” become “permanent transfers,” unless by some miracle the losers in this game of growth find a way to grow as well. Like Micawber, the strategy it to wait for something to come up and the slow growers to discover a growth model. It has not worked out. Neither the Greek government nor your average subprime borrower will pay in full, but our model is to carry on as if they will. Upheaval ensues.

Our desperate efforts to subsequently stimulate growth at all costs get poor returns, he adds. QE, for example amounts to exchanging cash for assets. But at the point where 10yr rates are zero, you are merely exchanging cash for cash. You are no longer adding liquidity. Not only that, but you are suspending the market economy in the price of money. You are suspending capitalism itself if the government gets to set the price of one of the most important inputs, money.

The sundry solutions we read about in the newspaper he also thinks are past their sell-by date and he goes debunking them one by one. He starts by rejecting the 4% inflation target. Quite simply, the moment you hit it, you’ll go straight back down to 2%. The policy has zero credibility.

He gives short shrift to the “negative natural interest rates” that are part and parcel of the Larry Summers / Paul Krugman “secular stagnation” mantra by in essence saying “yes, you can go tweak by a few basis points and set a negative administered rate to match this “natural” rate, but what if you cause a radical uncertainty shock from people observing the government is raiding their bank accounts?” Yes, some might do the rational thing and move the spending from the future to the present. But some might just panic and batten down the hatches, Greek style, in anticipation of the next way the government will raid the piggy bank. Why take the risk?

In summary, he believes we have hit a new limit:

The “paradox of policy” is that you cannot overuse any type of macroeconomic policy. Same way if we all save we end up hurting the economy via the “paradox of thrift,” same way the rational expectations critique says that you cannot tax and spend your way to prosperity if you cannot point to direct benefits of your spending because people understand what you're doing (and here he does concede that in the US for example it would not be a disaster to fix the odd airport), you also need to understand that all policies need to have a beginning and an end. Zero rates forever is especially silly for the non-US countries in particular, as it amounts to a permanent currency war. It is but another “prisoners’ dilemma” problem whereby we could all agree to stop debasing our own currency to steal growth from abroad, but probably never will. And in messing with our rates and currencies we get in the way of markets.

A glancing look at the most recently fashionable “helicopter drop” proposals also comes back with the same result.

In Mervyn King’s view, the way forward is to work on the only bit of growth that matters, which is productivity growth. He’s read all the books about how we’ve picked the low-hanging fruit, but he’s agnostic about it. What if some of the miracle developments pan out in biotech or nanotech or whatever. You never know. More importantly, you’ve got no choice. The adult response to crisis is to re-focus all our economies toward growth by going through the detail work of eliminating each economy’s idiosyncratic inefficiencies and artificial rigidities.

He thus proposes three important changes to the politics: First, he argues that structural changes to ossified economies are not issues to be tackled in the future, after we have fixed the macroeconomy. The time to tackle historically entrenched monopolies and historically built-in rentseeking, to tackle distortions in the tax code that affect the balance between spending and saving, or favor the public sector over the private sector, for example, is now. (A mention of Mancur Olson would not have been out of place here, btw.)

Second, (and in the best British tradition of the Economist, for example) he quite unfashionably comes out batting for free trade.

Third, he strongly advocates the abolition of fixed exchange-rate regimes between distinct sovereign states (for example, the EUR), because they are a very clear example of a mechanism that leads to imbalances in growth and foster the creation of bad debts.

The reviews I read in the press made this third point their main focus, of course. That is a crying shame, because it sells the book short. As far as I’m concerned, “The End of Alchemy” enters the charts at #1.

Broad, irreverent, groundbreaking and wise, this is the treatise that should finally replace Bagehot under every central banker’s pillow.

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SPOILER ALERT, next comes my summary of his main points, it's NOT my review

He starts by posing the question outright: What’s money good for? Mervyn King’s answer:

First of all, you need money to get “stuff” now. That’s what we all want money for.

This gives rise to the need for money to be acceptable by all as a means of exchange, or else you won’t get your “stuff.” In turn, this means that the concept of “private money” issued by private banks has historically always faded away. Once upon a time every bank in the US could issue its own money. While the economics of this practice was sound (the free market did indeed provide an appropriate discount for every bank’s “dollars” versus the best banks’ “dollars”) the practice was rather uneconomic, as every American needed access to a cheatsheet telling him what his private dollars were worth and where. The need for money to be an easy way to facilitate exchange eventually led to one type of dollar / pound / kroner dominating, the one issued by the most important bank in the realm. In many countries, this bank eventually became the “central” bank, though in other countries the central bank was created, but always modelled on the precedent from the countries where the model originated, namely as a bank.

Second, you need money to avoid having to make up your mind now about what “stuff” you want to get later, with two factors making this necessary: 1. (Incomplete markets) there might not be a “market” for you to secure flexible tickets to your kid’s college graduation in three years’ time; 2. (Uncertainty) what if you hit the jackpot and in three years’ time you might want to take the whole clan by chauffeured limousine? Money can act as a store of value for you and allow you to make that decision later, when you know your circumstances (resolving the uncertainty) and somebody can sell you a ticket (the market for the relevant tickets finally exists).

This second use of money gives rise to the additional need for the money to be acceptable under all circumstances, good and bad. To actually provide cover in uncertainty, it needs to be “money good” in all future imaginable scenaria.

Third, you need money to put a price on things. Only in prisoners’ camps would you care to use packets of Marlboro as a unit of account. To fulfill this third purpose, money needs to have a stable price, of course, and this comfortably segues into Mervyn King’s discussion of inflation and why we need to keep it in check and how we lost control in the seventies due to “paradox of policy,” his symmetrical rebuttal of the “paradox of thrift,” and a much cooler way to say (among other uses of this pithy aphorism) that there is no such thing as a long-run Philips curve.

This looks a lot like the traditional answer to the question, but a seed is already planted: in the world of “radical uncertainty” we actually inhabit, where many outcomes are possible (you could win the lottery and buy yourself a jet to fly your family to the graduation or you could go bust and pull your kid out of school and be grateful for any savings you had scrounged) money is more valuable than in a world of more measurable uncertainty where you can put a probability on all outcomes: in some states of the world, money is the ultimate necessity.

The economic models we use (and, more significantly, the economic models central banks use) have no use for money, because they do not account for radical uncertainty. They work under the assumption that you can plan for that graduation now. In reality, Mervyn King explains, when crisis strikes, a need for money arises that normally is not there and is thus nowhere to be found in our models.

Next, he asks, what is it that makes something “money?”

The loser-type answer to the question is that something is money if all economic agents believe it to be money. Others say money needs to be scarce. Others that it must be based on something real and tangible, like for example gold.

Mervyn King shoots down the first answer as a tautology (“OK, cool,” he’d say in my dialect of English, “but what is it that makes the economic agents believe?”) and has some fun debunking gold (metallic, tangible, but ultimately “barbarous” and unsuitable as a basis for our economy, read the book if you want to get the whole story), and Bitcoin (what’s to stop a million people from creating a million strands of otherwise very scarce cryptocurrency) and focuses on the main driver of what makes money, erm, money: Power.

He offers proof by example: In Iraq there were two monies between the 1993 and the 2003 invasion: Saddam-sanctioned money used in the South and the older “Swiss” notes used in the northern no-fly zone Saddam was kept out of. The northern “Swiss” notes were pure paper. You could not use them to pay tax anywhere, there was no central bank supporting them anywhere, they were legal tender for nothing. Yet people used them for a full decade, in expectation of the fact that the West would at some point invade again and restore their status. It was the expected imposition of foreign political power that lent value to these notes, and it was even vindicated when Paul Bremer exchanged them for dollars after the 2003 invasion.

Politics is very much what makes the EUR “money” in Mervyn King’s view. On p. 227 he notes that Draghi’s “whatever it takes” impromptu speech from July 26, 2012 may well have “reverberated around the world, but just as important was the joint statement made the following day by Chancellor Merkel and President Hollande, indicating their full commitment to the Euro and support for Draghi’s intention. It was clear the ECB would buy, or was actively considering buying, Spanish and Italian government debt.”

By that as means of introduction, we arrive at the main issue that lends its title to the book: Who makes money? What is the chemistry involved?

Answer: Money may require political support to actually be “money good,” but it continues to be made privately, exactly as it would have been made in pre-Fed America. Most money that exists in the world (all of M1, M2, M3 etc. a fair bit more than 90% of all money in the world, basically) arises in the very private act whereby you walk in the bank, ask for a loan, the bank looks at your credentials and (poof!) an account is opened for you and the money you asked for is sitting in there as a deposit. Your deposit!

Out of thin air, the bank has decided that it has a liability to you, namely the amount that is now sitting in your account. At the same time, it also holds an asset: the fact that you need to pay that money back (with interest) at some time in the future. That is how most money on earth is born, basically. Privately. The government imposes some rules on the bank, and will stand behind the currency you and the banker have just created, but it does not sit there in the room with you and your bank manager.

And then you can go buy a taxi, for example. The bank’s liability moves from your bank account to that of the Mercedes Benz dealer, and the bank’s asset remains your promise to pay back the loan one day. If the car can be offered as collateral for the loan, chances are you get a much better rate. If it’s a piece of real estate you financed, even better. The dealer now has money that did not exist before you walked into the bank for that interview. And you owe the bank some money you did not owe before either. The cash that’s sitting in the dealer’s account is freshly-made money.

Next, suppose word gets out that your bank really does not know what it’s doing. All sorts of customers, like your friendly Merc dealer, get in line to pull their money out. What next?

Regardless of whether this perception is true or not, the bank has a problem. It cannot call you and ask for your money back now. You can very legitimately point to the terms of your loan and say “call me in three years’ time.” It will be keeping some precautionary cash to one side, but if every single depositor turns up, the last few will be gravely disappointed.

This is where central banks step in.

What it will do is

1. Go through the bank’s books to see if the rumor is correct that the bank made bad loans in excess of the value of the shareholders’ equity
2. If the rumor is false, it will lend the bank all the money it needs to pay off the worried depositors
3. If the rumor is correct, on the other hand, the central bank will
(i) explain to equity holders in the bank that they no longer own shares in the bank
(ii) explain to all bond holders in the bank that they may suffer partial or total loss
(iii) move all the good loans of your bank’s to a healthy bank, adding to its assets
(iv) move deposits equal to the above amount to the same healthy bank, adding to its liabilities
(v) if the excess of deposits over good loans is more than the bonds outstanding wipe out all bondholders and the necessary amount of deposits
(vi) otherwise pay to bond holders the difference between the value of the bonds and the excess of deposits over good loans
These are two very different outcomes. In the first case the bank faces a liquidity issue and the central bank will step in and stand behind it. In the second case the bank has a solvency issue: it is insolvent / bankrupt / choose your favorite word.

Which brings us to the nexus of the problem. The manual for central bankers says that when faced with a liquidity crisis, a central bank must actively go in, accept the assets of the solvent banks on its own balance sheet and lend against those assets the necessary money to the bank to pay all its depositors. Moreover, it must do so at a very expensive price (a high interest rate), to make sure banks think twice about having to rely on this backstop.

So your car loan will spend some time on the central bank’s books until the crisis has gone away. Meanwhile, your bank will be given some (very expensive) liquidity. That is, in short, the “Lender of Last Resort” model of central banking.

Two things happened in finance, one in the run-up to the crisis and one during the crisis that made it impossible to implement this model:

The first, Mervyn King sees as an example of “prisoners’ dilemma.” Banks knew that the assets they were accumulating were increasingly poor. But any bank that was not willing to carry on playing the game (“dancing” in the words of Citigroup CEO Chuck Prince) was at risk of not only falling behind its competitors, it was at risk of getting bought by a competitor. The option to remain prudent was simply not available to any self-respecting banking CEO. “While the music’s playing, you’ve got to get up and dance.”

The second thing that happened was that when things turned, they did not just turn by a little. “Radical uncertainty” meant that asset prices for fancy, incomprehensible structures like CDOs went from 100 straight to near-zero. We went from the point of discussing how much houses would go up in the US to negative housing price appreciation. Entire structures that were predicated on housing prices carrying on upwards were upended. There was nobody willing to hold them who was not already up to his eyeballs in the stuff.

Even more importantly, in this world of “radical uncertainty” if your institution was known to be holding tainted assets, your depositors did not waste any time pulling money out. The hedge funds that had been using Bear Sterns, Lehman and Morgan Stanley as their prime broker, to say nothing of individuals owning shares in money market funds yanked out their money first and asked questions second, as was the rational thing for them to do. The last guy to pull his money out of a dying bank gets nothing.

In the crisis that ensued, the central banks (especially in Europe) that were called upon to provide the necessary liquidity had no time to inspect the banks’ assets, no opportunity to tell the wheat from the chaff; they found themselves with a gun to their collective head to lend at a discount rate (rather than a punitive rate) and with virtually no haircuts against collateral they had never seen before. The alternative was to let the entire banking system crumble. They did not get a chance to follow Bagehot’s teachings. Even in the US, Hank Paulson’s TARP could not be made to work, because there had never been a sober, non-crisis, assessment of what a legitimate value would be for all the “troubled assets.”

Mervyn King believes we need to do better, and proposes the PAWNBROKER MODEL:

The model is very simple once somebody has told you about it and it amounts to a permanent, marked-to-rational-market pre-packaged TARP for all bank assets

In the future, Mervyn King recommends that every asset a bank holds should be assigned a shadow “haircut” that is assessed seriously and is monitored actively. So if a loan has a haircut of 30% then the bank knows that at all times it can pledge it to the central bank for 70 cents on the dollar. If banks’ current liabilities (deposits, mainly) never exceed the total amount of cash the central bank will be able to exchange for thus pledged assets, then the banks will never find themselves in a situation where they are short of cash.

This has many benefits: First, there can never be a successful run on a bank anymore. Second, all values are assessed when things are calm, not in the heat of a crisis. Third, things never run wild.

Sadly, the horse has bolted the barn on this third front. Banks today have many many more assets than central banks could reasonably expected to lend against, even with haircuts. So Mervyn King proposes that we move to his new model slowly, over a 20 year period, say.

Even with this fix in place, however, his assessment is that we are not even beginning to scratch the surface. Finance was the thermometer of the crisis. It’s where the imbalances came in evidence, not where they were caused.

The roots of the crisis, he believes, lie in the very engine of our society, our growth model.

Collectively, the governments of pretty much all countries in the world are happy to turn a blind eye to uneven growth if the alternative is no growth at all, and that is where the problem lies. This I describe above.

This framework also serves to explain why QE was necessary in this past crisis.

When the crisis hit and every single bank found its clients banging on its door for cash, there was a slow but steady way for the banks to shore up their cash balances, and they all ruthlessly pursued it. It was to refuse to extend credit to clients (including very healthy clients) who were unlucky enough to see their loan reach its maturity. So suppose a bank has 20 billion worth of loans it has given to its clients, of which 2 billion mature within the next year. Further suppose that half the clients with a maturing loan still need the credit. That's 1 billion of loans the bank will refuse to extend so it can shore up its cash balances.

This is, in other words, money that is being destroyed, never to come back. The private market once created this money and the private market is now destroying it. The central bank can do absolutely nothing about it. It cannot TELL the bank in question "these are excellent, creditworthy clients who clearly just demonstrated they can pay you back, why are you abandoning them in the middle of the storm?"

It is "inside" money that is being destroyed, the "private" kind of money that is more than 90% of the money supply, as discussed. The central banks had to step in. Through QE they bought good assets from the banking system. Against the proceeds from the sales, the banks were credited with balances in their account with the central bank, also known as "outside" money, or M0. In doing so, the central banks replenished, to the extent possible, the money that had gone missing from the system.

(I can be counted on to confuse "inside" and "outside," but the mnemonic aid is the fact that the private banking system is, inevitably, the point of reference: money made privately, "inside" the private banking system, is "inside" money)

Outside observers, who were used to time-honored relationships between "outside" money and inflation screamed bloody murder and started fantasizing about the wheel-barrows we'd all need to buy to carry around our inflation-plagued cash, but their fears were misplaced. The M0 that was issued on the back of QE was but a poor substitute for the "inside" money that had disappeared when the banking system unilaterally decided to stop extending credit in order to conserve cash.

An added benefit of the "pawnbroker" model, of course, is that it would act on this problem from both sides: not only would it have the cash at the ready, it would presumably also act as a natural brake in terms of fewer low-quality loans being given, so creditworthy companies do not get cash starved if they need to roll a loan in the middle of a crisis caused by lending to less creditworthy borrowers.

I do, needless to say, have some issues with the book I don’t agree absolutely everything. In no particular order:

His 20 trillion allegedly BIS-sourced statistic on the size of the derivatives market is wrong. The market is comfortably larger than 500 trillion. The BIS number discusses the IN-THE-MONEY-AMOUNT of these derivatives and definitely underestimates them, conveniently so. This way we get to pretend we have enough good collateral.

No mention is made of the horrible incentives inherent in “originate and distribute” and the fact that only the government can resolve them. This is how come Fanny and Freddie are now left as the only show in town

No mention of “Valeant” model of what’s been keeping growth down. Krugman highlights this a fair bit. Post crisis, basically a whole host of goods and services are provided by monopolies. The competitor perished in the crisis and the government has refused to step in and punish the miscreants. Thank God for pantomime villains like Martin Shrkeli whose actions highlight this type of activity and bring it to the limelight.

Make up your mind about 1921, sir: did economy turn around by itself or did Fed put rates super-low? He argues both in different parts of the book.

Craps on Germany a bit too much for my taste: NOT the same as China. Germany is pursuing manufacturing hoping that meanwhile Europe will go back to normal. In the scenario where Europe is toast and Germany remains, but only in that scenario, then yes it needs to change model. And why is it bizarre that in the latest Greek memorandum there was a clause about Sunday trading? That is precisely the kind of microeconomic change it had been hoped Greece would adopt. Look at the enormous changes Italy effected on its pension system in the run-up to getting accepted into the EUR, for example. The pact is "you will reform and in doing so will be able to export to Germany via more efficient tourism, e.g. by being able to sell stuff to German tourists on a Sunday; we will support you in the meantime"

Is disrespectful to Minsky: his “prisoner’s dilemma” issue and his discussion of Chuck Prince is pure Minsky. It is the mechanism whereby stability breeds instability.

Also, and given he argues in favor of free trade, including bilateral deals, I would have liked him to take his axe at the anti-globalization arguments that are out there (but I guess he would have been off-topic)

Finally, there's the McAfee and Brynjolfsson theory out there about how information technology is destroying white collar jobs of the repetitive nature, and I'd have liked him to have given his assessment of where he ranks the order of magnitude of this very real problem compared with the "uneven growth" he identifies as the major bane of today's economic landscape.

My point about Germany notwithstanding, p.231 is pure poetry. All of it

3 of 3 people found the following review helpful.
A must read for anyone even remotely interested in political economy.
By A. (Saied) Seghatoleslami
This is really two books in one. One book is about money, its quantity, banks, the payment system, and the safety of the payment system. The treatment is through and accessible. It is an important work in advancing the cause of building a more robust financial system that better serves businesses and citizens. The book advocates simplicity over complexity and less leverage in the face of uncertainty. When Mervyn King and Neel Kashkari who had front seat view of the financial crisis come to similar conclusions, it is important for policy makers to take note and act.
The other book is an analysis of possible root causes of our low growth world. It convincingly argues that since people spend money based on their view of their lifetime earnings, when they figure out that their previous expectation was wrong and too high, they suddenly change their spending pattern and adjust to their current lower lifetime income expectations. Given the housing and debt fueled pre crisis spending patterns, this seems to make sense. It is worthwhile to read this second book in combination with Raghuram Rajan's book "Fault Lines". They have similar and complementary view of the recent past.

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Senin, 16 Desember 2013

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Teach Yourself Haitian Creole is the ultimate proven technique for you to master Haitian Creole in less than 3 months.

This incredible book will guide you gradually from recognizing Creole alphabet, identifying the words and learning how to pronounce them easily with our Free Mp3 Audio Bonus.

Teach Yourself  Haitian Creole is not just another book for learning phrases, words, verbs and vocabulary. This amazing book will show you the hidden technique behind the languages and will give you the tools to learn it in a very short time. You will have everything you need to master the language, you just need to pay attention and follow the instructions given in this incredible book.

The author of Teach Yourself Haitian Creole has acquired these skills throughout the years by learning more than 10 languages so far. Teach Yourself Haitian Creole is the product of his learning experience. Hundreds of people have already learned using this method; it is your time to learn now.

Teach Yourself Haitian Creole consists of 10 lessons. Taking you from recognizing the alphabet and its combinations, learning how to read and write Haitian Creole, even when you do not understand it yet working language patterns and tense construction. Walking out systematically to improve your skills and getting you to the final goal of "Speaking, reading, writing and understanding Haitian Creole".

At the end, you will find yourself reading gospel messages in Haitian Creole. Isn't awesome to learn that quick? Did you imagine speaking Haitian Creole in less than 3 months?

I know you might be hesitant to believe it, but there are many people already enjoying the languages experiences. People tend to think that learning a new language is a very difficult task and don't get me wrong "It is" when you do not have the correct tool or method to learn.

Teach Yourself Haitian Creole is the ultimate method for you to learn easily and effectively.

 In my experience of language learning, I have found many difficult languages, but Haitian Creole has been so far "The easiest language" to learn. My students learn how to speak Haitian Creole with this very same book in less than 3 months. Try it now and you will succeed in finally learning Haitian Creole.

  • Sales Rank: #42883 in Books
  • Published on: 2015-08-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.00" h x .47" w x 5.00" l, .46 pounds
  • Binding: Paperback
  • 186 pages

From the Author
Writing Teach Yourself Haitian Creole has been an adventure for me. I first started giving private lessons to organizations and individuals, who wanted to find the best to way learn Haitian Creole; because their organizations or church activities were in the Haitian community.
 
They just came to me saying, "I want to learn Haitian Creole",  After teaching Haitian Creole for several years, my students started asking me for the materials in a book format, and that is where this incredible adventure began.

It took me approximately 16 months to come up with an easy way to learn Haitian Creole for self-taught people. I had an incredible crew of Haitian brothers working hand in hand with me and we spent countless hours at the recording studio, creating the voices, editing and finalizing the MP3 Voice recording for all the sections in the book.
 
We were all very excited with the book and hoped for good results, because while there were many books out there, these methods were only to learn Basic Haitian Creole words and phrases. Students were not taught to actually speak Haitian Creole.
 
We finally finished the recording and the revision of the book, after several months of work, sometimes working until 2 am at the recording studio, but we made it.

The book was released first in the Dominican Republic and soon all our Haitian teachers started to use the book for their personal and private lessons. Christian and non-Christian organizations were looking for the book to train their staff.
 
These organizations started asking for an English version of the book, because most of their staff were English-speaking people, so we came up with the English version. It was not an easy process, but you can finally say that you have a good tool to learn Haitian Creole language, not just a few phrases or words; you can really learn how to speak Haitian Creole with this method.
 
Thank you very much for taking the time to learn using Teach Yourself Haitian Creole, if at any part of your learning experience, you feel that you need a friendly hand, do not hesitate to reach me, I would be more than glad to assist you.

From the Back Cover

Are you ready to discover your learning potential with our very special technique for Teaching Yourself a new language?

Have you been working with Haitian people, or do you feel the need to reach the Haitian community with your message?


Have you had trouble when communicating and understanding the Creole language?


Have you purchased phrase books and flash cards to Learn Haitian Creole?


Do you have a Creole speaking friend, relative, or co-worker who you would love to communicate?


Have you tried endless efforts to master Haitian Creole but still find yourself struggling with it?


If your answer is YES, to any of the above questions, then Teach Yourself Haitian Creole is the right tool for you.


Learn Haitian Creole in less than 3 MONTHS with our proven technique for Self Learning. Audio download included.

About the Author
Yeral E. Ogando, was born on May 18th, 1977 in Las Matas de Farfán, Dominican Republic. He is the son of Ubersindo Ogando and father of Yeiris & Tiffany Ogando. Yeral is polyglot or multilingual person. 
At the age of seventeen, he finished studying English. He learned French and Creole when he was eighteen. His nineteenth year he studied Italian and Portuguese. German his twentieth, and from age Twenty-one through twenty-three he learned Russian, Greek and basic Japanese. The next language he took on was Biblical Hebrew.

Throughout the years Yeral E. Ogando studied the drills on learning a new language; mastering any language in a very short time. Searching through many different methods, he came up with his very special technique for "Teaching Yourself" a new language. With this book the experiences and skills he acquired are at your hand.

This proven technique for "Self Learning" has been tested for several years in the Dominican Republic, selling thousands of books in major libraries. You have the perfect combination of experience, skills and proven techniques at your disposal with this incredible method.

He has been a Bible teacher for many years and teacher for severallanguages locally and internationally, such as Spanish, English, French, Italian, Portuguese, and Haitian Creole.

He has also been able to write the following books:

* Teach Yourself Italian by Yeral E. Ogando.
* Teach Yourself Haitian Creole by Yeral E. Ogando.
* Teach Yourself Haitian Creole Conversation by Yeral E. Ogando.
 * Cosmic: A Rise into Greatness (His personal life experience through cosmic battles and warfare - Coming up soon)
* The Hero within - Awareness (a Christian fiction Hero series of three volumes).

 His hobbies are reading and listening to music. He is passionate for teaching, learning and starting new ministries and businesses.

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7 of 7 people found the following review helpful.
An Exciting, Practical Study Guide
By CBM Book Reviews
Teach Yourself Haitian Creole by Yeral E. Ogando is a 10-step book teaching the language of Haitian Creole. The author begins by encouraging the students to study just 20 minutes a day. Giving a broad vocabulary and the verb tenses, in this way, the short term studying will accumulate to practice that is made perfect everyday.

Offering a MP3 Audio download (from the back bonus page) the author has made learning the Haitian Creole language even easier. The first chapter is designed to learn the Creole alphabet, how to read Creole in any text and how to say good morning. Step-by-step the author encourages learning vocabulary and the practice of speaking with a person whose native tongue is Creole to further learning the language. With plenty of symbols, art and graphs, the author has made this a self-explanatory book that teaches the basis of the Haitian Creole language. Each part builds upon another. This is a fun and fast way to teaching oneself this language.

With such chapters as: Bonjou - Good Morning, Kouman Ou Ye – How are You, Mwen Konprann Kreyol –I Understand Creole, Nan Biwo-At the Office, Nan Lopital – At the Hospital, Vwayaj Pou Ayiti – Trip to Haiti, Nan Otel La – At the Hotel, Nan Restoran – At the Restaurant, Twa Komante Yo – Three Comments, Kat Atik Espesyal Yo – Four Special Articles, Answers, Glossary and an added Bonus Page, the author presents different scenarios to communicating with the language, such as asking how are you and if one were to go to the hospital, a hotel or restaurant, etc.

This is an exciting, but very practical way to learn the language. Highly recommended as a study-guide to those that are new to the language as this is an easy and fast-paced way to learn the tenses and vocabulary of the language. The author has done an excellent job with this book.

2 of 2 people found the following review helpful.
Not sure how I feel about this book...
By Pen Fanatic
EDIT July 11, 2016: Still haven't finished the book yet, but I just found out that there are indeed audio files for this book in the Bonus Page at the end of the book (thanks to a very helpful comment I received!)

With this new information, I had to increase the number of stars to 5 because the book is quasi-perfect. I haven't finished it yet, but if it turns out to end as good as it starts, then the 5 stars should remain. If it doesn't seem like I have a good grasp of the grammar or idiomatic usage of the language, then I might adjust the stars accordingly. But it might be some time before I finish the book since I want to go backwards and start again now that I have the audio files available to me.

************************************************************************************************************

Not finished yet, but I can give my initial impressions:

1. One of the very few books to learn Creole that are available for Kindle devices and apps, this deserves a big plus. It's not a simple phrase book, either, but rather a book that seems intended to get you conversational in the language by the time you finish. PLUS.

2. The book seems to touch on important and universal vocabulary - not like some books that seem to focus on business trips mostly. I wanted to learn Creole just to become conversational enough in the language that I can chat with some Haitians that speak it fluently and have minimal problems when it comes to talking about events or ideas (e.g., "Where do you work again?" "I saw her brother the other day, he was on his way to the store,"...things like that). It does have some business-y or vacation-y vocabulary like hotel and waiter, but this sort of vocabulary isn't given disproportionate amounts of emphasis. PLUS.

3. The book tries to make Creole an overly easy language to approach. It teaches you through conversations. That might become a plus in some people's books, but in my book, it's a negative. While I enjoy learning through conversation as you can see a back and forth discussion using the vocabulary you're practicing, it lacks a true grammatical section. There might be mentions here and there of certain grammatical points, but I would rather see all the grammar up front or divided into respective sections (e.g., a chapter related to adjectives, a chapter related to future tense, a chapter related to telling time, etc.). For me, this is a MINUS. (Though I realize that this might be a plus for some others with a different learning preference.

4. The audio doesn't seem to be accessible for the Kindle version. I'm not sure if that was intentional (I don't remember the description), but the lack of audio makes you feel like you're missing out on the learning experience. It also hurts you when you're trying to practice your listening skills. This is a minus for me. MINUS.

Ultimately, I have mixed feelings about this book. I don't remember how much I paid for it, but I think that it was relatively affordable. For that reason, I would certainly recommend it to others. However, the minuses I gave are important to keep in mind, especially if you're like me and enjoy learning a language by getting the grammar in a more organized fashion and/or if you're hoping to practice with the audio exercises. If those don't bother you, then this book might be right up your alley. For me, I give it 3 stars and wouldn't mind seeing this same author make a newer edition of the book that involves straightforward lessons in how to properly use Creole grammar. But it's the only Creole book that covers the language in the depth that it does, therefore I have to be happy with what I have.

3 of 3 people found the following review helpful.
Absoloutely Brilliant
By ROSE
This is the best language learning course I have ever seen. The book is clearly set out, and the CDs are clearly spoken and really help with your pronounciation. I still can't believe how cheap it is!!!!

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Standard of Perfection: Standard Bred Rabbits & Cavies 2011-2015From American Rabbit Breeders Assoc.

2011-2015 Guide for rabbit breeders and for showing.

  • Sales Rank: #515935 in Books
  • Published on: 2011
  • Binding: Spiral-bound
  • 271 pages

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0 of 0 people found the following review helpful.
Got rabbits? In 4-H? MUST HAVE THIS BOOK!
By bunnyluver
Every rabbit 4-Her should have one of these!

0 of 0 people found the following review helpful.
Five Stars
By Jamie Hosek
Great boook!

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[E821.Ebook] Ebook Patricia Briggs' Mercy Thompson: Hopcross Jilly, by Patricia Briggs, Rik Hoskin

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Patricia Briggs' Mercy Thompson: Hopcross Jilly, by Patricia Briggs, Rik Hoskin

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Patricia Briggs' Mercy Thompson: Hopcross Jilly, by Patricia Briggs, Rik Hoskin

Mercy Thompson is a shapeshifting coyote and honorary member of the Tri-Cities werewolf pack. When the pack stumbles upon the buried bones of numerous dead children, she shapeshifts into a mystery of the legendary fae - a mystery that draws Mercy's stepdaughter Jesse into the fray! The supernatural romance series Mercy Thompson continues in this all-new, original story by New York Times bestselling author Patricia Briggs, exclusively created for the comic book medium!'

  • Sales Rank: #28292 in eBooks
  • Published on: 2015-06-17
  • Released on: 2015-07-15
  • Format: Kindle eBook

About the Author
#1 New York Times bestselling author Patricia Briggs lives in Washington State with her husband, children, and a small herd of horses.

Rik Hoskin is a UK-based writer of science fiction novels and comic books. He has written over twenty novels, working mostly under the pen-name "James Axler." As Axler, Rik has been the primary writer of the Outlanders series since 2008, and has also contributed five books to the Deathlands series. In the comic book field, Rik has written Superman, Star Wars, Doctor Who, Mercy Thompson and various DreamWorks characters including Shrek, helped develop a successful Spider-Man title aimed at younger readers, and has written approximately 400 stories for Disney. He is currently writing a science fiction novel for Resurrection House under his own name, and a graphic novel for US comic book publisher, Dynamite.

Most helpful customer reviews

34 of 34 people found the following review helpful.
Bad little children are Tasty!
By Leiah
"All the ancient classic fairy tales have always been scary and dark." -Helena Bonham Carter

I should probably be embarrassed to say this, but here goes. I have never read a graphic novel. I know. Loser, right? But it is something that simply never really interested me. Oh, I read comics when I was a kid. I remember walking to the market when II was able to pull enough pennies together for a comic or two, and I cherished them. But I never really came across a graphic novel whose concept interested me.

When I was offered “Hopcross Jilly” for a review, it was a perfect opportunity to check out the genre and see what I thought with an author whose work I know I like. The fact that it also features Jesse, daughter to Adam Hauptman and step-daughter to Mercy Thompson, was a plus.

I must say, my personal feelings are mixed. That is the problem with building a picture of an authors characters up in your mind over time. If the picture you see, whether on screen or in print is different from what you expect, it can be disappointing. Adam didn’t look anything like I pictured him, though Jesse was a good fit. Mercy? Not so much.

Now the story, I liked that. Jesse has a really hard time in high school. Well, when your father is the Alpha of the local Pack, and the face of werewolves all over, kids can be vicious. Since kids can be more vicious than a school of rabid piranha anyway, add in the fact that your dad is Top Were and your life can be utterly miserable. That only gets worse when the pack finds the bodies of four children - then four more, then four more, and four more - buried ritualistically on an abandoned farm. And when one of the bodies happens to be the aunt of the Queen Mean Girl in school, things get even worse.

I can’t say the graphic novel format was my favorite way to read the story – but that is personal preference, and has nothing to do with whether it was well done or not – because it really was well done. Anything from Patricia Briggs I can pretty much expect to be exceptional, and the art and storyline are just that. Simply a matter of taste, but if you like graphic novels, I will highly recommend this. I believe she also has other graphic novels out – give them a look if you are a graphic novel buff.

I received Hopcross Jilly from the publisher in exchange for a realistic review. All thoughts are my own.

12 of 13 people found the following review helpful.
Hansel & Gretel it is a good thing you never met Hopcross Jilly!
By Amazon Customer
WHAT I THINK ABOUT THIS BOOK:

FIRST, let's address the formal components of the book.

The cover image (the first image, located at the top left of this post), as you can see, is vibrant, even while the artist, Tom Garcia and colorist, Mohan, chose to set the mood with somber colors. Given that there is a giant reaching over the house, the image should convey an image of horror and forbidding. Looking, however, at Mercy in her fighting stance with one fist clenched and leaning forward to meet the evil head on, it seems to evoke more a feeling of "Let's dance!" than of unapproachability. The light over part of the scene shows hope. So, I think the cover is outstanding in that it leads us to want to know more, and not be afraid to open the book and turn the pages.

Inside, where dark forces are at play, somber blues, grays, blacks, punctuated with brick reds and reds to warm the image, a bit--just like the cover. The pages dealing with the high school are full of light, colors, and openness. So, Garcia and Mohan did very well with the use of color is setting the scenes and atmosphere. Additionally, the images are just beautiful. To say that I like the graphic images would be an understatement.

SECOND: Audience: In the early days of comics, the "funnies" were for children, fairly exclusively. Since the growth and popularity of the graphic novel, the line is much harder to draw. (no pun intended). Graphic novels made comics acceptable. They also went from "episodic" publications to full novels with a beginning, middle, and end--told in pictures. So, then given those brief considerations of audience, just who is the audience for Hopcross Jilly? At first blush, most would think it a YA (young adult) novel. This could be true, especially with Jesse as a high schooler who takes center stage in the story.

But, then we have some really gruesome scenes like the finding of children's bodies on the property in question, and the apparent mass murder of children. And then, in a scene much like Edgar Allen Poe's, Tell Tale Heart, parts of the deceased children were buried under the floorboards--here, finger bones and toe bones were buried like that. In the book, the fae tell the story about one who ate the fingers and toes of bad children.

So, the sheer gruesomeness of some of the scenes do not seem appropriate for children. But then, again, modernly, many children from middle schools go to see violent movies and read other books focusing on violence; and what child hasn't heard a violent fairy tale [e.g. the witch who ate children in Hansel and Gretel.]?

THIRD: The Story: I mentioned, above, that the story has a beginning, middle, and end; moreover, given the size of the book, it is large enough to be a graphic novel. But, note, just because it has a complete story arc and is large enough to be a book, doesn't mean it is a graphic novel. Two things are at play, here:
First, it was the intention of Patricia Briggs and Dynamite Entertainment to create this book as a "comic," exclusively. [4]
Second, the book was originally published in episodes, just like a comic book and later (i.e., now) those episodes have been assembled into the complete story under one cover. These two things are dispositive to the issue of whether or not the book is a comic or a graphic novel.[4]

Next, let's take a look at Jesse's part in this gruesome story. In the series most of the main characters get to be center stage for a while--along with Mercy--to have their story told. Like many of the books in the series, Jesse gets to have her story told (well, at least part of it). While the story starts out with Mercedes (Mercy), Jesse soon takes center stage in the story.

As I mentioned, above, one of the things that makes us all suspect that the audience is for young people is that Jesse, a high school student, is one of the main parts of the story. This fact, alone, makes the story very appealing to young people. And then, of course, the story is told graphically, in the comic format--also appealing. We get to see what is going on with her, what problems she has, and also, how she faces those problems. Moreover, the high school, as a setting, is important for part of the story. We get to see Jesse in a high schooler's environment, high school. I can't tell you more without giving away some important facts relating to the major thrust of the story, so we must leave well enough, alone.

FINALLY: Satisfaction: To most of us, we judge whether or not the story gives us satisfaction in the reading. In this case, however, the story is told graphically, in comic book form. Even so, we still might ascertain whether or not the reading and visual parts of the story work as a cohesive whole in providing adequate satisfaction to say that the story was "satisfying," was "worth it," or was "good."

So, here's what I can tell you without giving away important aspects of the story:

The formal components of the book worked very well. That is to say, I really loved the artwork, the colorists concepts and execution in setting the tone of the various scenes. Very well done! The cover and story pages were just simply beautiful to see and read.
[7]
Whether or not the book is called a comic book or a graphic novel makes "no nevermind to me." All I mean, is that I believe a story will rise or fall regardless of what it is labeled. So, I won't enjoy it more as a graphic novel than I will a comic. The content is more important to me, so I do not knock down a story "simply because it is a comic."
It was very gratifying to see Jesse get her day in the sun. Moreover, that Briggs was able to do that without lessening Mercy Thompson's appearances was hugely satisfying. To those of us that love Mercy, we want to see her, and that Briggs accomplished this without losing the story of the high school girl, Jesse, was really great.
In the reading of the book, I sat down to read and read straight through to the end of the book. I would not, I could not, put the book down (so to speak). The story was very entertaining and had me from the beginning pages.
[8]
What I didn't like about the book. Well, I would like to have seen more of Adam's pack and a bit more interaction with them. Also, I would love to have seen a little bit more involvement from one or two people from the community. A teacher, perhaps, or one of the police officers who hasn't been able to rest since the first child disappearances. Perhaps, even a concerned citizen watch member who has been researching and tracking the disappearances for years, but no one would listen to him or her. The story, if anything, is lacking more involvement with the community. I mean, if the high schoolers are so upset by this, where are the parents--do they not care? Where are the marches and the community searches for the more than twenty missing children? Where is the community outrage? We see it everyday on our televisions when one child is murdered or has gone missing. So, this part of the story just didn't seem true to the theme of missing children. IT LACKS THREE DIMENSIONALITY! And, also, while some might object to the minor amount of cursing in the book, I found it was not offensive to me.

Overall, with everything considered. I enjoyed the story
and feel my money was well spent on my hardback
edition of the Mercy Thompson: Hopcross Jilly, book. [9]
Overall, I enjoyed the story, beautiful art- work, and the courage to put the gruesome story out in publica- tion. I am sure young people will enjoy it. I certainly did. Perfect? No, the story is not perfect. But, it did pro- vide an overall satisfac- tion in the reading.
RATING:
[10]
Given all of my, above, considerations regarding the book, Mercy Thompson: Hopcross Jilly, including the formal components, including the graphics and use of color, of the audience, the story, and the overall satisfaction I felt, balancing the positive against the things I didn't like, I give this book a rating of 4.0 stars out of 5. To see this review with all the graphics you can find it at Sharon's Love of Books.

8 of 9 people found the following review helpful.
Fey have weird likes in this one.
By Raquel
I love this series and this definitely lives up to the rest of the books. I do recommend though if you haven't read any of her previous books to read up to at least Frost Burned which is the seventh book in the series this one is set between that one and Night Broken. So if you try to read this before the series you will spoil yourself for the other books if you plan to read the series.

Another note if you finally want to see what Zee looks like with out any glamour on read this! I finally got to see what he looks like. I haven't read the other graphic novel so I am not sure if he is in the other one but he is in this one. I was surprised, and why does he have to hide what he really looks like? I bet it is because he doesn't want to be mauled over by all the girls that think he is cute.

We also get to see a lot of Mercy's step daughter Jesse you don't see to much of her in the main series just snip its but this graphic novel kind of revolves around her and the new friend she meets. This graphic novel was action packed and sucked me into the story right away.

The only character I didn't really feel was portrayed correctly or drawn as how I imagine him is Mercy's husband Adam. It just seemed off of what I was picturing. Also aren't coyotes smaller than wolves? It seemed like Mercy's coyote and the wolves seemed the same height. I could be wrong and it was just placement that was making them look the same size but I am not sure.

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