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• Sales Rank: #7467055 in Books
• Published on: 1800
• Binding: Paperback

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This is the third volume of Joel Feinberg's highly regarded The Moral Limits of the Criminal Law, a four-volume series in which Feinberg skillfully addresses a complex question: What kinds of conduct may the state make criminal without infringing on the moral autonomy of individual citizens? In Harm to Self, Feinberg offers insightful commentary into various notions attached to self-inflicted harm, covering such topics as legal paternalism, personal sovereignty and its boundaries, voluntariness and assumptions of risk, consent and its counterfeits, coercive force, incapacity, and choice of death.

• Sales Rank: #210279 in Books
• Color: Blue
• Published on: 1989-03-09
• Original language: English
• Number of items: 1
• Dimensions: 6.13" h x .96" w x 9.25" l, 1.37 pounds
• Binding: Paperback
• 448 pages

Review

"An admirably lucid attempt to reinvoke and strengthen the liberal core of Mill's theory....[The book's] great merit is to have consistently argued the case against paternalistic legislation in relation to specific areas of legal policy and legislative debate. Not only does Feinberg convincingly make the case that no area of interference into the domain of self-regarding action is trivial...but he also persuasively pursues all the policy implications and moral connotations of the various contemporary legal test cases of the contours of individual privacy."--Times Higher Education Supplement

"Because of his focus on the moral limits of the criminal law, Feinberg develops, with characteristic subtlety and illumination, an account of what he calls failures of consent in two-party cases: when does the consent on the part of the party harmed to the action of another harming him or her fail to make the other's action legally permissible and so justify criminal prohibitions of the other's harmful conduct?....[A] first-rate work...of moral philosophy...contain[s] richly detailed and illuminating discussions of a host of issues concerning paternalism and deserve[s] [a] central place...in the contemporary debate over it."--Ethics

From the Back Cover
This is the third volume of Joel Feinberg's highly regarded "The Moral Limits of the Criminal Law," a four-volume series in which he skillfully addresses a complex question: What kinds of conduct may the state make criminal without infringing on the moral autonomy of individual citizens? In "Harm to Self," Feinberg discusses various problems about self-inflicted harm, covering such topics as legal paternalism, personal sovereignty and its boundaries, voluntariness and assumptions of risk, consent and its counterfeits, coercive force, incapacity, and choice of death.

About the Author
Joel Feinberg is at University of Arizona, Tucson.

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1 of 2 people found the following review helpful.
Excellent Book, Extremely Relevant to Modern Problems
By A Customer
I was introduced to this book in a course entitled Philosophy of Law. It provides an organized, thorough look at the philosophical underpinings of some of the most important problems facing society today. This is a great book!

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Learn to write your own music with CENGAGE ADVANTAGE: A CREATIVE APPROACH TO MUSIC FUNDAMENTALS, First Edition. With clear explanations, extensive exercises, and a chapter on songwriting, learn key fundamentals of music and composition, then create your own music based on what you've learned. Unleash your creativity!

• Sales Rank: #897772 in Books
• Published on: 2008-02-26
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .49" h x 8.57" w x 10.86" l, 1.52 pounds
• Binding: Paperback
• 320 pages

Review
INTRODUCTION. 1. The Basics of Music. 2. Rhythm I: Simple Meter. FOCUS ON SKILLS I. 3. Rhythm II: Compound Meter. 4. Pitch. FOCUS ON SKILLS II. 5. Major Scales. 6. Major Key Signatures. 7. Intervals. FOCUS ON SKILLS III. 8. Minor Key Signatures. 9. Minor Scales. 10. The Pentatonic and Blues Scales. FOCUS ON SKILLS IV. 11. Triads. 12. Triads in a Musical Context. 13. Chord Progressions. 14. Writing a Song. Appendix A: Graded Rhythms for Counting and Performing. Appendix B: Graded World Rhythms in Two and Three Parts. Appendix C: Syllables for Sight-Singing Scales and Modes. Appendix D: Graded Melodies for Sight-Singing and Playing. Appendix E: Chromatic Scale and Major-Scale Fingerings for Keyboard Instruments. Appendix F: The C Clef. Appendix G: Other Scales and Modes. Appendix H: Transposing the Modes. Appendix I: A Brief Introduction to Timbre. Appendix J: A Brief Discussion of Acoustics. Appendix K: Basic Guitar Chords.

About the Author
An internationally known composer, acclaimed teacher of American music, and the founder of Postminimalism, William Duckworth has written more than 200 works, including the well-known Time Curve Preludes for piano. In addition to numerous teaching awards, Rolling Stone magazine called his teaching "hip, bright and innovative." Duckworth has been honored by the American Music Society as one of Six Master Teachers in America. Additionally, Cathedral, co-created with Nora Farrell and online since 1997, is one of the first interactive works of music and art on the Web. Duckworth's honors include the 2001 ASCAP-Deems Taylor Internet Award, the 2002 Award in Music from the Foundation for Contemporary Arts, and a 2007 Senior Fulbright Specialist Award that assigned him to the Queensland Conservatorium Research Centre in Brisbane, Australia, and resulted in iOrpheus, Duckworth and Farrell's 2-year unfolding of video podcasts, stage performances, and a public opera in the streets and promenades of Brisbane's South Bank Parklands.

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Good product
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The product was received as advertised and on time.

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Four Stars
By Amazon Customer
Decent Book.

2 of 2 people found the following review helpful.
Provides Excellent Exercises!
By Kenneth Candelas
This book provides several, actually many different kinds of exercises to improve your knowledge of music theory. It comes with a little pamphlet of a keyboard for beginners who don't know the piano too well as well as difficult exercises for more experienced musicians. Obviously, this book is geared towards beginners more, but it has helped me understand my music theory fundamentals. Highly recommended!

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