Bredon: Oktober 2013

Selasa, 29 Oktober 2013

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SolidWorks 2010 for Designers is a comprehensive textbook that introduces the users to SolidWorks, a feature-based 3D parametric solid modeling software. The textbook covers all major environments of SolidWorks and provides a thorough explanation of all tools, options, and their applications to create real-world products. About 55 mechanical engineering industry examples are used as tutorials and an additional 35 as exercises to ensure that the users can relate their knowledge and understand the design techniques used in the industry to design a product.

After reading the textbook, the users will be able to create parts, assemblies, drawing views with bill of materials, and learn the editing techniques that are essential to make a successful design. Also, in this textbook, the author emphasizes on the solid modeling techniques that improve the productivity and efficiency of the users.

Some of the Salient Features of this textbook are as follows:

Consists of 19 pedagogical sequenced chapters (including two chapters for free download) covering the Sketching, Modeling, Assembly, Drafting, Equations and Configurations, Blocks, Surface Modeling, and SheetMetal environments in SolidWorks.

The first page of every chapter summarizes the topics that will be covered in it.

Real-world projects and examples focusing on industry experience.

Step-by-step examples that guide the users through the learning process.

Additional information is provided throughout the textbook in the form of tips and notes.

Self-Evaluation test, review questions, and exercises are provided at the end of each chapter so that the users can assess their knowledge.

Free Teaching and Learning Resources
CADCIM Technologies provides the following Free Teaching and Learning Resources with this textbook:

Technical support by contacting techsupport@cadcim.com

Drawing files of the models used in illustrations, examples, and exercises

Customizable PowerPoint presentations of every chapter in this textbook

Instructor guide that provides solutions to the review questions and exercises

Student projects to enhance the skills

Course outline listing the topics that will be covered in the basic and advanced classes

About the Authors
CADCIM Technologies, Prof. Sham Tickoo of Purdue University Calumet, and the team of dedicated contributing authors at CADCIM Technologies are committed to bring you the best textbooks and free teaching and learning resources on Computer Aided Design and Manufacturing (CAD/CAM), Computer Programming and Applications, GIS, Civil, Computer Animations, and related technologies. We strive to be the first and the best. That is our promise and our goal.

Our team of authors consists of highly qualified and experienced Engineers and Programmers who have a strong academic and industrial background. They understand the needs of the students, the faculty, and the challenges the students face when they start working in industry. All our books have been structured in a way that facilitates teaching and learning, and also exposes students to real-world applications. The textbooks, apart from providing comprehensive study material, are well appreciated for the simplicity of content, clarity of style, and the in-depth coverage of the subject.

Sales Rank: #2058566 in Books
Brand: Brand: CADCIM Technologies
Published on: 2010-01-01
Original language: English
Dimensions: 1.90" h x 7.40" w x 9.00" l,
Binding: Paperback
978 pages

Features

Used Book in Good Condition

Most helpful customer reviews

1 of 1 people found the following review helpful.
I Returned It
By RC
I have a previous addition, which is OK. Bought this book when I upgraded to 2010 and started spotting annoying "improvements" to previous addition. Unfortunately this book omits any focused discussion of changes to 2010, and has some references to previous versions which are wrong. In addition, looking at the publishers www site I see I could have bought the thing for $49 vs the $64 they scammed Amazon into charging.

Bad show.

0 of 0 people found the following review helpful.
General Review
By acapo
I have not made it through the entire book but this is the second book by Tickoo-CADCIM that I have used (the first being the ProE version) and it has plenty of exercises and tutorials to practice the content of the book. Very useful for someone trying to learn on their own or for anyone looking for a refresher

0 of 0 people found the following review helpful.
Good manual
By hammy
The tutorials are good and easy to follow. On line resources are helpful. It is helpful even though I am using it on solid works 12

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Published on: 2005-12-31
Dimensions: 9.84" h x .24" w x 6.69" l,
Binding: Paperback
94 pages

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Sales Rank: #128072 in Audible
Published on: 2008-01-15
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Running time: 397 minutes

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Sales Rank: #305738 in Books
Published on: 2010-06-10
Released on: 2010-06-11
Original language: English
Number of items: 1
Dimensions: 9.25" h x 1.32" w x 6.13" l, 1.80 pounds
Binding: Paperback
584 pages

Review
A Reader argues for a new paradigm within the humanities: bio-culturalism, that is, cultural studies firmly based on biological evidence. Torben Grodal, University of Copenhagen

This book is ideally suited for the generation of students who will have the opportunity to put up the next round of bridges, and instructors can rest assured that this volume provides a galvanizing set of blueprints. It is, in short, the state-of-the-art. Tim Horvath, Evolution and Human Behavior

A first-rate contribution to the field... Recommended.

(Choice)

Review

Original and unique—there is almost by default no collection like it at present. The field of evolutionary literary studies is coalescing as I write, and the publication of this book will have a decisive and positive impact in this regard.

(Peter Swirski, author of Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution)

Extremely well conceived, bringing together classics from the early days and the cutting edge of recent statistical scholarship. The essays are excellent and represent the best work being done right now in the field.

(Blakey Vermeule, Stanford University)

This book not only fills a need, but creates a field. With texts ranging from the classic to the contemporary, Evolution, Literature, and Film builds on the dramatic advances made in recent years by evolutionary literary study and extends those advances to the study of film and beyond, to a 'new humanities.' This argument is frankly revolutionary in its aspirations, seeking to revitalize the humanities by linking them to the human sciences. This move, the editors argue, will ground the humanities in a world of fact, account for the pertinence to literary and cinematic art of universal principles of human being, and dignify the study of creative expression by placing it in the context of evolved human existence.

(Geoffrey Harpham, president and director, National Humanities Center)

About the Author

Brian Boyd is University Distinguished Professor of English at the University of Auckland. The world's leading scholar of Vladimir Nabokov, he is also the author of On the Origin of Stories: Evolution, Cognition, and Fiction.

Joseph Carroll is Curators' Professor of English at the University of Missouri, St. Louis. His book Evolution and Literary Theory is a founding text of literary Darwinism, and his collection of essays, Literary Darwinism: Evolution, Human Nature, and Literature, gave the field the name by which it is most commonly known.

Jonathan Gottschall teaches English at Washington and Jefferson College. He is the author of The Rape of Troy: Evolution, Violence, and the World of Homer and Literature, Science, and a New Humanities, and the coeditor of The Literary Animal: Evolution and the Nature of Narrative.

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6 of 6 people found the following review helpful.
A Good Primer for Evo Cog Lit Crit Novices
By J. Maceachern
I was excited to get the ELF reader in the mail, but upon reading it I was dismayed to find that I already own most of the books and articles it excerpts. Most of these are excellent, however. I highly recommend this book, but scholars and readers who have already been following evolutionary approaches to literature closely might want to look at the table of contents before paying the cover price.

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Evolution, Literature, and Film: A ReaderFrom Columbia University Press PDF
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Minggu, 13 Oktober 2013

[C834.Ebook] Fee Download War Diary (The German List), by Ingeborg Bachmann

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Austrian writer Ingeborg Bachmann (1926–73) is recognized as one of the most important novelists, poets, and playwrights of postwar German literature. As befitting such a versatile writer, her War Diary is not a day-by-day journal but a series of sketches, depicting the last months of World War II and the first year of the subsequent British occupation of Austria. These articulate and powerful entries—all the more remarkable taking into account Bachmann’s young age at the time—reveal the eighteen-year-old’s hatred of both war and Nazism as she avoids the fanatics’ determination to “defend Klagenfurt to the last man and the last woman.” The British occupation leads to her incredible meeting with a British officer, Jack Hamesh, a Jew who had originally fled Vienna for England in 1938. He is astonished to find in Austria a young girl who has read banned authors such as Mann, Schnitzler, and Hofmannsthal. Their relationship is captured here in the emotional and moving letters Hamesh writes to Bachmann when he travels to Israel in 1946. In his correspondence, he describes how in his new home of Israel, he still suffers from the rootlessness affecting so many of those who lost parents, family, friends, and homes in the war. War Diary provides unusual insight into the formation of Bachmann as a writer and will be cherished by the many fans of her work. But it is also a poignant glimpse into life in Austria in the immediate aftermath of the war, and the reflections of both Bachmann and Hamesh speak to a significant and larger story beyond their personal experiences.Praise for the German Edition“A minor sensation that will make literary history. Thanks to the excellent critical commentary, we gain a sense of a period in history and in Bachmann’s life that reached deep into her later work. . . . What makes these diary entries so special is . . . the detail of the resistance described, the exhilaration of unexpected peace, the joy of freedom.”—Die Zeit

Sales Rank: #2483672 in Books
Published on: 2011-10-15
Original language: English
Number of items: 1
Dimensions: 7.00" h x .60" w x 4.25" l, .45 pounds
Binding: Hardcover
108 pages

Review
“Far from the elliptical voice most readily associated with Bachmann, one is struck by the directness and simple honesty of the [War Diary]; the passions, stubbornness, and humor of a young woman, and her real fear, are all profoundly moving. But one also gets a sense of her literary tastes at this time (Baudelaire, Rilke and Mann) and the philosophical fascination which would lead to her academic career and, one might add, the clarity and precision of her later writing.” (Modern Poetry in Translation)

About the Author

Ingeborg Bachmann is the author of Darkness Spoken, Malina, and Simultan, among others. Hans Höller is professor of modern German literature at Salzburg University, and has edited several works of Thomas Bernhard and Ingeborg Bachmann. Mike Mitchell has also translated Peter Handke’s Till Day You do Part or A Question of Light and Max Frisch’s An Answer from the Silence, both published by Seagull Books.

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4 of 5 people found the following review helpful.
"If the years 1938-45 had not been . . . "
By R. M. Peterson
Ingeborg Bachmann (b. 1926, d. 1973) was an Austrian author, poet, and philosopher. She was well-connected in post-War German literary circles. In 1945, she was a girl of eighteen, living in Carinthia (the southernmost state of Austria).

The first fifteen pages of this brief book are excerpts from a diary that Bachmann maintained between 1944 and 1946. The excerpts reflect her loathing for the Nazis (even though her father had been a Nazi since 1932), her dodging of Allied bombs, her joy when Germany was defeated and peace returned, and a touch of romance with a soldier of the British occupation forces. The soldier, named Jack Hamesh, turned out to be a displaced Jew from Vienna; he had been orphaned and as a teen-ager he had escaped from Austria to England on one of the Kindertransport. He was surprised to find a young woman from a Nazi family who had read and appreciated Thomas Mann, Stefan Zweig, Schnitzler, and Hofmannsthal, and he quickly fell in love with Bachmann. She valued him as a friend and was stimulated intellectually by their conversations, she probably reveled in the shock effect of socializing with a Jew, but it appears that she never seriously thought of Hamesh as a potential life partner.

The bulk of the book consists of eleven letters that Hamesh sent Bachmann after he left Austria, first to go to Italy and then, after discharge from the British Army, to Palestine. They are tender and wise and lonely and sad. Hamesh cannot suppress his profound disappointment that Bachmann has spurned him, nor can he suppress a feeling of exile from life. "Who would have believed that in 1938 they would see a child wandering round the world alone just because it had been born a jew?" But Hamesh tries to maintain "a positive attitude towards the struggle to survive" - "that is, not simply to dream of all the things I could have been, how many opportunities I lost, all the things I might have achieved . . . if the years 1938-45 had not been."

Both Bachmann's diary and Hamesh's letters are touching, and they provide a peephole on a forlorn time. But they are short and query whether there is enough of them to justify a book. There is an afterword that, among other things, discusses briefly how events recorded in Bachmann's war diary appear in refracted form in some of her adult fiction. Thus, WAR DIARY probably would be of interest to fans and students of Ingeborg Bachmann. For others I can only give it a lukewarm recommendation.

0 of 0 people found the following review helpful.
A small but moving account
By Glynn Young
Ingeborg Bachmann (1926-1973) was an Austrian-born poet, essayist, novelist and radio dramatist. Not as well known as other members of her circle, Heinrich Boll and Gunter Grass, she is still considered an important member of the post-World War II literary generation that helped Europe find its way out the physical and psychological devastation of the war wrought by Nazi Germany.

Jack Hamesh (1920-1967) was a soldier in the British Army. He had been an older member of the Kindertransport – the evacuation of thousands of Jewish children to Great Britain after the Nazi violence of Kristallnacht (“night of broken glass”) in Germany in 1938. After World War II, he settled in Palestine, eventually finding employment as a dock worker and later in harbor administration.

No one connected the two until the publication of Bachmann’s “War Diary” in 2010 (in German; 2011 in English). The summer of 1945 during which they met Bachmann would always refer to as “the loveliest summer of my life.”

At the end of the war, Bachmann and her family fled to a home in a rural village. Her father, a schoolmaster, was a soldier in the German army and had been captured by the Americans. Their place of refuge was occupied by the British Army. Jack Hamesh was part of the occupying forces.

They discovered love – a love of literature. Bachmann has hated the Nazis, and part of her “resistance” was to read forbidden books – Thomas Mann, Rainer Marie Rilke, Karl Marx and others.

Hamesh had lived in Vienna before he was sent to safety in Britain. His parents had died before the war; his uncle used influence to get him included in the Kindertransport. As a soldier in 1945, what had been left of his family had perished in the Holocaust. He had read many of the same books as Bachmann. And so a friendship began.

“War Diary,” a small work (108 pages, including notes, afterword and translator’s statement) is divided into two parts. The first part in Bachmann’s of the period right after the war. The second is Hamesh’s letters, written after his unit was moved to Italy, his discharge and emigration to Palestine. (Her letters, often referred to in Hamesh’s, no longer exist). He wrote for almost two years, the last posted from Tel Aviv in July 1947, and their tone suggests he was at least a little in love with her. Bachmann was more interested in figuring out how to get into university.

And yet she kept his letters until her death, part of the record of that “loveliest summer.”

To read the diary and the letters today is to see two people sharing their love of literature and a sense of loneliness and displacement. The worlds both of them knew, on different sides of war, were destroyed. She at least had family left; Hamesh had nothing except himself. But they shared their mutual love of books and reading, even if it was only for a few short months.

“War Diary” also serves as a reminder that our parents and grandparents were young once, with hopes and dreams interrupted by war. It’s a small work, but a moving one.

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Explores how musicians, both individually and collectively, learn to improvise. Chronicling musicians from their first encounters with jazz to the development of a unique improvisatory voice, Berliner demonstrates that a lifetime of preparation lies behind the skilled improviser's every note.

Published on: 1994
Binding: Paperback
904 pages

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